Rabindranath Tagore’s Views on Female Education as Expressed in His Non-Fictional Writing
Keywords:
Conservative, Disparity, Female education, Liberal, Self-contradictionAbstract
Rabindranath Tagore shows a considerable understanding of women’s urge for education in both his fictional and non-fictional writings proving himself to be one of the pioneers in the field of female education in the 19th century India. Still, many female characters of his fiction thrive for institutional education. To examine the disparity the researcher starts her quest. The present paper aims to examine Tagore’s views on female education as expressed in his non-fictional writing to understand the bias that guided him draw female protagonists who are deprived of education. The study will look closely at Tagore’s essays and letters and attempt to explore his opinions articulated in three stages of his life: firstly, in youth (1881-91) when he was liberal in his worldview being informed by travelling to England are examined. Secondly, his perspectives expressed in his writings during his maturity. Particularly, when he became a follower of Hindu revivalism and was drawn to Indian Nationalism (1898-1907). Thirdly, his views on female education revealed in his writing after 1907, to be specific, 1910 onwards when Tagore takes many bold steps to promote female education. He evolves with time displaying self-contradictory attitude to women’s needs for education, particularly, after the establishment of Visva-Bharati (1921). The inquiry finds that in spite of being a pioneer in initiation female education Tagore was traditional and occasionally conservative in his thoughts and outlooks on female education till the end of his life which is explicit in his 1936 essay “Nari.
References
Arundale, R. D. (1961). A centenary volume: Rabindranath Tagore . Kolkata. Sahitya Akademi.
Bandyopadhyay, S. (2009). From Plassey to Partition: A history of modern India. Kolkata. Oriental Black Swan.
Bhattacharya, S. (2013).. She Nahi Nahi. Kolkata. Ebong Mushayera.
Bhuiyan, I. (1995). Rabindranather Ekguccha Patra. Dhaka. Bangla Academy.
Chanda, R. (2015). Alapchari Rabindranath. Kolkata. Visva-Bharati.
Chakravarty, C., & Chaudhary, S. K. (Eds.). (2017). Tagore’s ideas of the new
woman.Kolkata. Sage.
Chattopadhyay, B. (2010). Bankim Rachanavali. Kolkata. Sahitya Samsad.
Deb, C. (2007). Thakurbarir Andarmahal. Kolkata. Ananda.
Devi, M. (2011). Smritikatha. Kolkata. Visva-Bharati, Granthan Bibhag.
Devi, M. (2010). Mangpute Rabindranath. Dhaka. Muktadhara.
Dutta, K., & Robinson, A. (1995). Rabindranath Tagore: The Myriad-Minded Man. Delhi. Rupa.
Dutta, K., & Robinson, A. (Eds.). (2005). Selected letters of Rabindranath Tagore.
Delhi. Cambridge University Press.
Frank, K. (2005). Indira: The life of Indira Nehru Gandhi. New York. Harper Perennial.
Hasan, P. (1994). Infinite variety: Women in society and literature . Dhaka. UPLtd.
Hossein, R. S. (2002). God gives, man robs & other writings. Dhaka.Narigrantha Probortona.
Mahmuda, S. (1996). Rabindranather Shikshachinta. Sahitya Patrika, 38(I). Dhaka. University of Dhaka.
Mukhapadhyay, P. (2007). “Aithijhyer Prekshapate Rabindranather Galpe Nari Shadhinata Prasanga”.Kolkata. Education Forum.
Pal, P. K. (2010). Rabi-Jibani (Vol. II). Kolkata. Ananda.
Tagore, R. (2008). “Letter on Rama Bai speech.”. Rabindra-Rachanavali (Vol. VI). Kolkata. Visva-Bharati.
Tagore, R. (2008). “Stree-Shikkha”. Rabindra-Rachanavali (Vol. XVI). Kolkata. Visva-Bharati.
Tagore, R. (2008). “Paschim Jatrir Diary”. Rabindra-Rachanavali (Vol. X). Kolkata. Visva-Bharati.
Tagore, R. (2008). “Nari”. Rabindra-Rachanavali (Vol. XII). Kolkata. Visva-Bharati.
Tagore, R. (2011). “Woman and home”. Rabindranath Tagore Omnibus I. Delhi. Rupa.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 AIUB Journal of Arts and Social Sciences

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
AJASS contents are under the terms of the Creative Commons Attribution License. This permits anyone to copy, distribute, transmit and adapt the work non-commercially provided the original work and source is appropriately cited.